The “‘Eyes Wide Shut’ - For Charity!” sex party has the added benefit of bringing most of our main characters into the same vicinity. Punching the shit out of a one-armed Luke Hemsworth feels somewhat challenging for the powerful host, and Stubbs has the beleaguered presence of a meat sack, making each thud, smack, and crash satisfying. So it comes as a relief when Dolores actually gets to fight someone. The threat of a gunfight (aka Dolores’ Plan B if the blood trick doesn’t work) just doesn’t stack up to an actual gunfight, and there’s no gleeful bits or biting dialogue to make up for the lack of energy. Even the brief scene in the season premiere, when she stole another rich white guy’s bankroll, was more active, more thoughtful, and more thrilling than watching yet another white guy talk to a bank clerk.
Wood remains outstanding, even in scenes that equate to reading the phone book, and Dolores uses a few neat tricks - stabbing dual needles into a banker bro’s neck and then plunging them into Caleb’s veins is pretty sick - but her whole plan is a surprisingly boring way to drain this guy’s life’s savings. Getting Caleb (Aaron Paul) a suit for the party, taking a dude’s blood to get to his encryption key, going to the bank to watch Caleb hold back his sweat, and eventually snagging Liam once he learns he’s penniless - that’s a good amount of activity, but it’s not terribly exciting. Take Dolores (Evan Rachel Wood): Her entire episode arc is to steal money from Liam Dempsey Jr. Instead, Season 3 has sputtered, trying to embrace change one week and revisit old ideas the next, and Episode 4, “The Mother of Exiles,” combines its two minds into one inefficient machine. Season 1 thrived on world-building and well-constructed twists Season 2 offered some of the same tidings, but went so far off the rails that the new, rebooted episodes have to win back viewers’ diligent attention. Plus, aside from my personal deficits in logistical nitpicking, television, like most entertainment, demands a certain suspension of disbelief, and picking apart minor narrative oversights only spoils the fun for those who, naturally, missed them.īut “Westworld” hasn’t earned a suspension of disbelief because it’s not effectively entertaining - there’s no need to worry about spoiling the fun when there’s not enough fun to be had.
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Science is not my strong suit, and no matter how many episodes of “The Americans” I inhale under quarantine, I’d never cut it as an actual spy, detective, or other professional sleuth. Normally, I don’t indulge in such a technical line of criticism.
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'The White Lotus': Everything You Need to Know About the HBO Series 'The Lord of the Rings': Everything You Need to Know About Amazon's Big Money Adaptation 'All Creatures Great and Small' Review: A Gentle Classic in the Making Grows Even Deeper in Season 2 'Euphoria' Review: Season 2 Slips Even as Zendaya Shines in a Frustrating, Long-Awaited Follow-Up But now, with William out in the real world, couldn’t he just request a brain scan? Wouldn’t that settle his nerves enough to put him on the path to recovery? (He needs a good therapist no matter what.) Hosts are made out of imitation bone and tissue to look as close to human beings as possible, but their brains don’t require oxygen and are generally more powerful than a human’s - couldn’t an MRI show such alterations? So during the first two seasons, such regular self-doubt made sense. There are limited resources in a world built like the wild west, and even if you broke into Delos, you’d face opposition.
When trapped in the park, any debate over host vs. Ed Harris is always a welcome face, whether his prominent cheekbones are defined by a sharp shave or left scraggly after months of neglect, but one question kept popping into my mind during the four-time Oscar nominee’s return to “Westworld”: Why doesn’t William just get an MRI?
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